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Bio


Pamela Andrews loves performing and her operatic experience includes Countess Almaviva in The Marriage of Figaro with Pacific Opera, Belinda and Second Woman in Purcell’s Dido & Aeneas, the Baker in Brundibar by Hans Krasa, and chorus roles in productions of La Boheme with Opera Australia, and Carmen, La Traviata and Tosca with Melbourne Opera.

As a soloist, Pamela has appeared with the Penrith Symphony Orchestra, SCUNA/National Capital Orchestra, Hobart Chamber Orchestra, Derwent Symphony Orchestra, Hobart Orpheus Choir, Tasmania University Musical Society, Hobart Festival of Voices Choir and City of Launceston Carols by Candlelight. Repertoire performed includes Haydn’s Nelson Mass, Mozart’s Requiem, Brahms’ Ein deutsches Requiem, Handel’s Messiah and Dvorak’s Stabat Mater. Pamela enjoys performing new works, and has premiered new repertoire by composers Geoffrey Lancaster, Graeme Leak, Matthew Dewey, Joe Bugden, Johanna Van Tienen, Sophie Joo and Haomin Wei.

Pamela holds a Master of Music degree, a Bachelor degree with Honours, Diploma of Music and Associate Diploma of Music (AMEB). Pamela has won numerous prizes and awards in competitions around Australia and was nominated for a Director’s Prize at the University of Tasmania Conservatorium of Music. Pamela has studied singing with Marilyn Smith, Jane Edwards and Louise Page, and currently studies with soprano Christine Douglas.

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